| ? | STARS THAT MADE THE SILENT CINEMA | - |
| ? | TARKANOVA | - |
| 1915 | THE BIRTH OF A NATION | D.W. Griffith |
| 1919 | THE CABINET OF DR. CALIGARI | Robert Weine |
| 1919 | TRUE HEART SUSIE | D.W. Griffith |
| 1921 | THE FOUR HORSEMEN OF THE APOCALYPSE | Rex Ingram II |
| 1922 | BLOOD AND SAND | Fred Niblo |
| 1922 | DR. MABUSE DER SPIELER - PART I | Fritz Lang |
| 1922 | NANOOK OF THE NORTH | Robert J. Flaherty |
| 1922 | NOSFERATU | F. W. Murnau |
| 1922 | PARIS QUI DORT | Réne Clair |
| 1922 | SAFETY LAST | Fred Newmeyer & Sam Taylor |
| 1922 | WARNING SHADOWS | Arthur Robinson |
| 1923 | THE HUNCHBACK OF NOTRE DAME | Wallace Worsley |
| 1924 | LEGEND OF GOSTA BERLING | Mauritz Stiller |
| 1924 | MENILMONTANT | Dimitri Kirsanov |
| 1924 | STRIKE | Sergei Eisenstein |
| 1924 | THE LAST LAUGH | F.W. Murnau |
| 1924 | THE NAVIGATOR | Buster Keaton & Donald Crisp |
| 1924 | WAXWORKS | Paul Leni |
| 1925 | BATTLESHIP POTEMKIN | Sergei Eisenstein |
| 1925 | BATTLESHIP POTEMKIN | Sergei Eisenstein |
| 1925 | DON Q, SON OF ZORRO | Donald Crisp |
| 1925 | POIL DE CAROTTE | Julien Duvivier |
| 1925 | THE EAGLE | Clarence Brown |
| 1925 | THE GOLD RUSH | Charles Chaplin |
| 1925 | THE PHANTOM OF THE OPERA | Rupert Julian & Edward Sedgwick |
| 1926 | THE LODGER | Alfred Hitchcock |
| 1927 | A PAIR OF SILK STOCKINGS | Wesley Ruggles |
| 1927 | AN ITALIAN STRAW HAT | Réne Clalr |
| 1927 | OCTOBER | Sergei Eisenstein |
| 1927 | SHOOTING STARS | A.V. Bramble |
| 1927 | SUNRISE | F.W. Murnau |
| 1927 | THE GENERAL | Buster Keaton & Clyde Bruckman |
| 1927 | THE ITALIAN STRAW HAT | Réne Clair |
| 1927 | THE JAZZ SINGER | Alan Crosland |
| 1928 | SPIES | Fritz Lang |
| 1928 | THE LAST COMMAND | Joseph von Sternberg |
| 1929 | BLACKMAIL | Alfred Hitchcock |
| 1929 | NOAH'S ARK | Michael Curtiz |
| 1940 | FOREIGN CORRESPONDENT | Alfred Hitchcock |
| 1940 | THE GREAT DICTATOR | Charles Chaplin |
| 1940 | UNTEL PERE ET FILS | Julien Duvivier |
| 1941 | CITIZEN KANE | Orson Welles |
| 1941 | CITIZEN KANE | Orson Wells |
| 1942 | FILM AND REALITY | Alberto Cavalcanti |
| 1942 | I MARRIED A WITCH | Réne Clair |
| 1942 | LA SYMPHONIE FANTASTIQUE | Christian-Jaque |
| 1942 | OSSESSIONE | Luchino Visconti |
| 1942 | REMBRANDT | Hans Steinhoff |
| 1942 | THE MAGNIFICENT AMBERSONS | Orson Welles |
| 1942 | THE MAN WHO CAME TO DINNER | William Keighley |
| 1943 | CABIN IN THE SKY | Vincente Minnelli |
| 1943 | CASABLANCA | Michael Curtiz |
| 1943 | ENRICO IV | Giorgio Pastina |
| 1943 | I BAMBINI CI GUARDANO | Vittorio De Sica |
| 1943 | L'ANGE DE LA NUIT | Berthomieu |
| 1943 | STRANGE INCIDENT | William A. Wellman |
| 1943 | THE DAY OF WRATH | Carl Dreyer |
| 1943 | THE LIFE AND DEATH OF COLONEL BLIMP | Michael Powell &Emeric Pressburger |
| 1944 | FRENZY | Alf Sjoberg |
| 1944 | HENRY V | Laurence Olivier |
| 1944 | HENRY V | Laurence Olivier |
| 1944 | KET BAJTHAY | Gyšrgy Patk—s |
| 1944 | LAURA | Otto Preminger |
| 1944 | THE WAY AHEAD | Carol Reed |
| 1944 | TO HAVE AND HAVE NOT | Howard Hawks |
| 1945 | DEAD OF NIGHT | Cavalcanti, Crichton, Hamer & Dearden |
| 1945 | DIE FLEDERMAUS | Geza von Bolvary |
| 1945 | LES ENFANTS DU PARADIS | Marcel Carne |
| 1945 | LES ENFANTS DU PARADIS | Marcel Carne |
| 1945 | LES ENFANTS DU PARADIS | Marcel Carne |
| 1946 | BATAILLE DU RAIL | Réne Clement |
| 1946 | GREAT EXPECTATIONS | David Lean |
| 1946 | LA SYMPHONIE PASTORALE | Jean Dellanoy |
| 1946 | THE BARBER OF SAVILLE | Mario Costa |
| 1946 | VOYAGE SURPRISE | Pierre Prevert |
| 1947 | FOUR STEPS IN THE CLOUDS | Alesandro Blasetti |
| 1947 | IT ALWAYS RAINS ON SUNDAY | Robert Hamer |
| 1947 | LA BELLE ET LA BETE | Jean Cocteau |
| 1947 | LA BELLE ET LA BETE | Jean Cocteau |
| 1947 | MONSIEUR VINCENT | Maurice Cloche |
| 1947 | THE FUGITIVE | John Ford |
| 1947 | THE SECRET LIFE OF WALTER MITTY | Norman Z. Macleod |
| 1948 | L' ECOLE BUISSONNIERE | Jean-Paul Le Chanois |
| 1948 | L'ARMOIRE VOLANTE | Carlo Rim |
| 1948 | LES CASSE PIEDS | Jean Denville |
| 1948 | LOUISIANA STORY | Robert Flaherty |
| 1948 | MONSIEUR ALIBI | Jean Dreville |
| 1948 | OLIVER TWIST | David Lean |
| 1948 | QUEEN OF SPADES | Thorold Dickinson |
| 1948 | THE RED SHOES | Michael Powell & Emeric Pressburger |
| 1948 | UNE SI JOLIE PETITE PLAGE | Yves Allegret |
| 1949 | JOUR DE FETE | Jacques Tati |
| 1949 | JOUR DE FETE | Jacques Tati |
| 1949 | LES AMANTS DE VERONE | Andre Cayatte |
| 1949 | PASSPORT TO PIMLICO | Henry Cornelius |
| 1949 | PLUS DE VACANCES POUR LE BON DIEU | Robert Vernay |
| 1949 | SPRINGTIME IN ITALY | Renato Castellani |
| 1949 | THE BLUM AFFAIR | Erich Engel |
| 1949 | THE EMPERORŐS NIGHTINGALE | Jiri Trnka |
| 1949 | THE THIRD MAN | Carol Reed |
| 1950 | ALL ABOUT EVE | Joseph Mankiewiez |
| 1950 | IL TROVATORE | Carmine Gallone |
| 1950 | KON-TIKI | Olle Nordemar |
| 1950 | LA BEAUTE DU DIABLE | Réne Clair |
| 1950 | MA POMME | Marc-Gilbert Sauvajon |
| 1950 | OLIVIA | Jacqueline Audry |
| 1950 | ORPHEE | Jean Cocteau |
| 1950 | ORPHEE | Jean Cocteau |
| 1950 | PAGLIACCI | Mario Costa |
| 1950 | SUNDAY IN AUGUST | Lucerne Emmer |
| 1950 | SUNSET BOULEVARD | Billy Wilder |
| 1950 | THE TREASURE | Marian Leonard |
| 1950 | TROIS TELEGRAMMES | Henri Decoin |
| 1951 | AN AMERICAN IN PARIS | Vincente Minnelli |
| 1951 | BALLERINA | Alexander Ivanovsky |
| 1951 | DER UNTERTAN | Wolfgang Staudt & Fritz Staudt |
| 1951 | DR. KNOCK | Guy Lefranc |
| 1951 | EDOUARD ET CAROLINE | Jacques Becker |
| 1951 | FANFAN LA TULIPE | Christian Jaque |
| 1951 | MIRACLE IN MILAN | Vittorio De Sica |
| 1951 | RASHONON | Akira Kurosawa |
| 1951 | SOUS LE CIEL DE PARIS | Julien Duvivier |
| 1951 | THE MAGIC GARDEN | Donald Swanson |
| 1951 | THE TALES OF HOFFMAN | Michael Powell & Emeric Pressburger |
| 1951 | THE TALES OF HOFFMAN | Michael Powell &Emeric Pressburger |
| 1951 | TORA-NO-O | Akira Kurosawa |
| 1952 | IKIRU | Akira Kurosawa |
| 1952 | LE RIDEAU CRAMOISI | Alexandre Astruc |
| 1952 | LES BELLES DE NUIT | Réne Clair |
| 1952 | SINGIN' IN THE RAIN | Gene Kelly & Stanley Donen |
| 1952 | SINGING IN THE RAIN | Gene Kelly & Stanley Donen |
| 1952 | THE ELSTREE STORY | prod: Gilbert Gunn |
| 1952 | THE ELSTREE STORY | Gilbert Gunn |
| 1952 | THE GOLDEN COACH | Jean Renoir |
| 1952 | THE IMPOSTER | Tatsuo Osone |
| 1952 | THE QUIET MAN | John Ford |
| 1952 | UMBERTO D | Vittorio De Sica |
| 1953 | GENEVIEVE | Henry Cornelius |
| 1953 | I VITELLONI | Federico Fellini |
| 1953 | LE BLE EN HERBE | Claude Autant-Lara |
| 1953 | LES VACANCES DE MONSIEUR HULOT | Jacques Tati |
| 1953 | LES VACANCES DE MONSIEUR HULOT | Jacques Tati |
| 1953 | LES VACANCES DE MONSIEUR HULOT | Jacques Tati |
| 1953 | MADAME DE ... | Max Ophuls |
| 1953 | THE BACK OF BEYOND | John Heyer |
| 1953 | THE GATES OF HELL | Teinosuke Kinugasa |
| 1953 | THE GREAT ADVENTURE | Arne Sucksdorff |
| 1953 | THE LETTER WITH THE FEATHERS | Shih Hui |
| 1953 | THE LETTER WITH THE FEATHERS | Shih Hui |
| 1953 | THE RETURN OF DON CAMILLO | Julien Duvivier |
| 1953 | TRIO BALLET | C. Rappaport |
| 1953 | UGETSU MONOGATARI | Kenji Muzoguchi |
| 1953 | WINDFALL IN ATHENS | Michael Cacoyannis |
| 1954 | BORIS GODUNOV | V. Stroyeva |
| 1954 | CARMEN JONES | Otto Preminger |
| 1954 | LA STRADA | Federico Fellini |
| 1954 | LES DIABOLIQUES | Henri George Clouzot |
| 1954 | NEOPOLITAN FANTASY | Ettore Giannini |
| 1954 | REAR WINDOW | Alfred Hitchcock |
| 1954 | ROMEO AND JULIET | Lev Arnshtam & L. Lavrosky |
| 1954 | THE SEVEN SAMURAI | Akira Kurosawa |
| 1954 | THE SEVEN SAMURAI | Akira Kurosawa |
| 1955 | A GIRL IN BLACK | Michael Cacoyannis |
| 1955 | DEATH OF A CYCLIST | Juan Antonio Bardem |
| 1955 | FRENCH CAN-CAN | Jean Renoir |
| 1955 | LES GRANDES MANOEUVRES | Réne Clair |
| 1955 | MADAME BUTTERFLY | Carmine Gallone |
| 1955 | MARCELINO | Ladisloa Vajda |
| 1955 | PANTHER PANCHELI | Satyajit Ray |
| 1955 | STELLA | Michael Cacoyannis |
| 1955 | THE LADYKILLERS | Alexander Mackendrick |
| 1955 | THE SAFETY MATCH | K. Yudin |
| 1956 | AMICI PER LA PELLE | Franco Rossi |
| 1956 | IL TETTO | Vittorio De Sica |
| 1956 | IS ANNA ANDERSON ANASTASIA? | Falk Harnack |
| 1956 | LA TOSCA | Carminne Gallone |
| 1956 | LES ASSASSINS DU DIMANCHE | Alex Joffe |
| 1956 | THE BURMESE HARP | Kon Ichikawa |
| 1956 | THE SEARCHERS | John Ford |
| 1957 | A MATTER OF DIGNITY | Michael Cacoyannis |
| 1957 | ASCENSEUR POUR L'ECHAFAUD | Louis Malle |
| 1957 | EVE WANTS TO SLEEP | Tadeusz Chmielewski |
| 1957 | PORTE DES LILAS | Réne Clair |
| 1957 | THRONE OF BLOOD | Akira Kurosawa |
| 1957 | WILD STRAWBERRIES | Ingmar Bergman |
| 1957 | WILD STRAWBERRIES | Ingmar Bergman |
| 1958 | AUNTIE MAME | Morton Da Costa |
| 1958 | GIGI | Vincente Minnelli |
| 1958 | LES QUATRE CENTS COUPS | Francois Truffaut |
| 1958 | THE FACE | Ingmar Bergman |
| 1958 | VERTIGO | Alfred Hitchcock |
| 1959 | BEN HUR | William Wyler |
| 1959 | BLACK ORPHEUS | Marcel Camus |
| 1959 | HIROSHIMA MON AMOUR | Alain Resnais |
| 1959 | LE DEJEUNER SUR L'HERBE | Jean Renoir |
| 1959 | MORTE DI UN AMICO | Franco Rossi |
| 1959 | NEVER ON SUNDAY | Jules Dassin |
| 1959 | NORTH BY NORTHWEST | Alfred Hitchcock |
| 1959 | ORFEU NEGRO | Marcel Camus |
| 1959 | SOME LIKE IT HOT | Billy Wilder |
| 1959 | SOME LIKE IT HOT | Billy Wilder |
| 1959 | THE LADY WITH A LITTLE DOG | Josef Heifitz |
| 1959 | THE LADY WITH A LITTLE DOG | Josef Heifitz |
| 1959 | THE MYSTERY OF PICAS | Henri-Georges Clouzot |
| 1959 | THE ROYAL BALLET | Dr. Paul Czinner |
| 1960 | CINDERELLA | Alexander Row & Ratislav Zakharov |
| 1960 | L'AVVENTURA | Michelangelo Antonioni |
| 1960 | LA NOTTE | Michelangelo Antonioni |
| 1960 | LES JEUX DE L' AMOUR | Philippe De Broca |
| 1960 | THE CHAPLIN REVUE | Charles Chaplin |
| 1960 | ZAZIE DANS LE METRO | Louis Malle |
| 1961 | BREAKFAST AT TIFFANY'S | Blake Edwards |
| 1961 | IL POSTO | Ermanno Olmi |
| 1961 | JULES ET JIM | Francois Truffaut |
| 1961 | L 'ASSASSINO | Elio Petri |
| 1961 | LE CAPORAL EPINGLE | Jean Renoir |
| 1961 | LEON MORIN, PRIEST | Jean Pierre Melville |
| 1962 | KNIFE IN THE WATER | Roman Polanski |
| 1962 | LA BAIE DES ANGES | Jacques Demy |
| 1962 | LAWRENCE OF ARABIA | David Lean |
| 1962 | LE SOUPIRANT | Pierre Etaix |
| 1962 | PHAEDRA | Jules Dassin |
| 1962 | PHAEDRA | Jules Dassin |
| 1962 | THE WAR OF THE BUTTONS | Yves Robert |
| 1962 | VIVRE SA VIE | Jean-Luc Goddard |
| 1963 | AN ACTOR'S REVENGE | Kon Ichikawa |
| 1963 | EIGHT AND A HALF | Federico Fellini |
| 1963 | JUDEX | Georges Franju |
| 1963 | LA BONNE SOUPE | Robert Thomas |
| 1963 | LA BONNE SOUPE | Robert Thomas |
| 1964 | DR. STRANGEGLOVE | Stanley Kubrick |
| 1964 | LA VIEILLE DANE INDIGNE | Réne Allo |
| 1964 | LES PARAPLUIES DE CHERBOURG | Jacques Demy |
| 1964 | LES PARAPLUIES DE CHERBOURG | Jacques Demy |
| 1964 | LILITH | Robert Rossen |
| 1964 | THE GOSPEL ACCORDING TO ST. MATTHEW | Pier Paolo Pasolini |
| 1964 | THOMAS L'IMPOSTEUR | Georges Franju |
| 1965 | BLINDFOLD | Philip Dunne |
| 1965 | INTIMATE LIGHTING | Ivan Passer |
| 1965 | LA VIE DE CHATEAU | Jean-Paul Rappeneau |
| 1965 | LES FETES GALANTES | Réne Clair |
| 1965 | SHAKESPEARE WALLAH | James Ivory |
| 1965 | THE LOVE GODDESSES | Walter Reade |
| 1965 | THE LOVE GODDESSES | Walter Reade |
| 1965 | TOKYO OLYMPIAD | Kon Ichikawa |
| 1965 | YO-YO | Pierre Etaix |
| 1965 | ZORBA THE GREEK | Michael Cacoyannis |
| 1966 | CLOSELY OBSERVED TRAINS | Jiri Mensal |
| 1966 | LE DEPART | Jerzy Skolimowski |
| 1966 | LE VIEL HOMME ET L'ENFANT | Claude Berri |
| 1966 | NEVER STRIKE A WOMAN - EVEN WITH A FLOWER | Zdenek Podskalsky |
| 1966 | THE WHISPERERS | Bryan Forbes |
| 1966 | UN HOMME ET UNE FEMME | Claude Lelouch |
| 1967 | BELLE DE JOUR | Luis Bunuel |
| 1967 | BELLE DE JOUR | Luis Bunuel |
| 1967 | ELVIRA MADIGAN | Bo Widerberg |
| 1967 | THE BRIDE WORE BLACK | Francois Truffaut |
| 1967 | THE FIREMEN'S BALL | Milos Forman |
| 1968 | LA FEMME INFIDELE | Claude Chabrol |
| 1968 | LA TREVE | Claude Guillemot |
| 1968 | LES BICHES | Claude Chabrol |
| 1968 | LES BICHES | Claude Chabrol |
| 1968 | SHAME | Ingmar Bergman |
| 1968 | THE NIGHT THEY RAIDED MINSKY'S | William Friedkin |
| 1969 | LE BOUCHER | Claude Chabrol |
| 1969 | ONCE UPON A TIME IN THE WEST | Sergio Leone |
| 1969 | PAINT YOUR WAGON | Joshua Logan |
| 1969 | QUE LA BETE MEURE | Claude Chabrol |
| 1969 | SHONEN | Nagisa Oshima |
| 1969 | THE COLOUR OF POMEGRANATES | Sergo Paradjanov |
| 1969 | THE LITTLE THEATRE OF JEAN RENOIR | Jean Renoir |
| 1969 | THEY SHOOT HORSES, DON'T THEY? | Sydney Pollack |
| 1969 | WHATEVER HAPPENED TO AUNT ALICE? | Lee H. Katzin |
| 1970 | BLACK FLOWERS FOR THE BRIDE | Harold Prince |
| 1970 | DIARY OF A MAD HOUSEWIFE | Frank Perry |
| 1970 | LA RUPTURE | Claude Chabrol |
| 1970 | LE GENOU DE CLAIRE | Eric Rohmer |
| 1970 | LE VOYOU | Claude Lelouch |
| 1970 | THE GARDEN OF THE FINZI-CONTINIS | Vittorio De Sica |
| 1970 | THE GO BETWEEN | Joseph Losey |
| 1970 | THE LANDLORD | Hal Ashby |
| 1970 | THE SPIDER'S STRATAGEM | Bernardo Bertolucci |
| 1970 | THE SPIDER'S STRATAGEM | Bernardo Bertolucci |
| 1970 | WHERE'S POPPA? | Carl Reiner |
| 1971 | HAROLD AND MAUDE | Hal Ashby |
| 1971 | LE SOUFFLE AU COEUR | Louis Malle |
| 1971 | RENDEZ-VOUS A BRAY | Andre Delvaux |
| 1971 | UNDER MILKWOOD | Andrew Sinclair |
| 1971 | WHAT'S THE MATTER WITH HELEN? | Curtis Harrington |
| 1972 | AGUIRRE, WRATH OF GOD | Werner Herzog |
| 1972 | AVANTI | Billy Wilder |
| 1972 | AVANTI | Billy Wilder |
| 1972 | CRIES AND WHISPERS | Ingmar Bergman |
| 1972 | CRIES AND WHISPERS | Ingmar Bergman |
| 1972? | DELIVERANCE | John Boorman |
| 1972 | THE AMAZING MR. BLUNDEN | Lionel Jeffries |
| 1972 | THE BITTER TEARS OF PETRA VON KANT | R.W. Fassbinder |
| 1972 | THE WAR BETWEEN MEN & WOMEN | Melville Shavelson |
| 1973 | AMACORD | Federico Fellini |
| 1973 | DAY FOR NIGHT | Francois Truffaut |
| 1973 | DISTANT THUNDER | Satyajit Ray |
| 1973 | L' INVITATION | Claude Goretta |
| 1973 | THE MAD ADVENTURES OF RABBI JACOB | Gerard Oury |
| 1973 | THE OPTIMISTS OF NINE ELMS | Anthony Simmons |
| 1973 | THE SPIRIT OF THE BEEHIVE | Victor Erice |
| 1973 | THE WATCHMAKER OF SAINT PAUL | Bertrand Tavernier |
| 1974 | AMACORD | Federico Fellini |
| 1974 | HESTER STREET | Joan Micklin Silver |
| 1974 | LACOMBE LUCIEN | Louis Malle |
| 1974 | LES VIOL0NS DU BAL | Michel Drach |
| 1974 | RADA | Claude Chabrol |
| 1974 | STAVISKY | Alain Resnais |
| 1974 | THE APPRENTICESHIP OF DUDDY KRAVITZ | Ted Kotcheff |
| 1974 | THE FORTUNE | Mike Nichols |
| 1975 | LINA BRAAKE | Bernhard Sinkel |
| 1975 | PICNIC AT HANGING ROCK | Peter Weir |
| 1975 | THE PASSENGER | Michelangelo Antonioni |
| 1975 | TOMMY | Ken Russell |
| 1976 | KINGS OF THE ROAD | Wim Wenders |
| 1976 | MAN 0N THE ROOF | Bo Widerberg |
| 1976 | THE EAGLE HAS LANDED | John Sturgess |
| 1977 | LA DENTELLIERE | Claude Goretta |
| 1977 | LE CRABE-TAMBOUR | Pierre Schoendoerffer |
| 1977 | NEW YORK | New York |
| 1977 | THE LAST WAVE | Peter Weir |
| 1978 | DESPAIR | R.W. Fassbinder |
| 1978 | FEDORA | Billy Wilder |
| 1978 | HULLABALOO OVER GEORGIE & BONNIE'S PICTURES | James Ivory |
| 1978 | LA CAGE AUX FOLLES | Edouard Molinaro |
| 1978 | THE SWISSMAKERS | Rolf Lyssy |
| 1978 | THOSE WONDERFUL MOVIE CRANKS | Jiri Menzel |
| 1979 | ALL THAT JAZZ | Bob Fosse |
| 1979 | APOCALYPSE NOW | Francis Ford Coppola |
| 1979 | BREAKER MORANT | Bruce Beresford |
| 1979 | MAD MAX | George Miller |
| 1979 | MY BRILLIANT CAREER | Gillian Armstrong |
| 1979 | NOSFERATU | Phantom Der Nacht |
